
Shari, editor of Zaghareet! Magazine
...gorgeous pictures...full of information - love the quotes... It's an answer to questions everyone has, all in one place!
Wonderful Introduction to Tribal Bellydance
Reviewer: smarch1965 from Phoenix, Arizona United States
I love this book! I have been taking classes for about a year in Cabaret bellydance and was curious about Tribal style. I bought this book and I am hooked! It is full of fascinating info, including costume and basic movements. I would still recommend taking classes and maybe purchasing tapes or DVD's as I do not believe you can learn it all from a book, but this book has it all:)
Reviewer: Khaalida from Northern VA/DC United States This is a great book! I have been curious about Tribal style for a while now. Since I read this book and studied dance with Kajira I am hooked!!! Tribal style you can be yourself. To critics of Tribal style, please do so also to be inspired to read this excellent book. It is very educational! I love Kijara's first statement in the beginning of her forward. She heard from a classmate... "If you dont like it, you dont have to look!!!" Like her I LOVE the SIMPLICITY of this statement. It is full of fascinating info, including costume and basic movements.
Here is a statement from Artemis Mourat, forward in the Tribal Bible
"If we look at the Middle Eastern dances and their history as a magnificent tree, we can see the proper place for American Tribal Bellydance". The roots of the tree are the ancient sacred secular dances of North Africa, the Middle East, Cenral Asia, and the Near East. Dance is a living, breathing, evolving art and the life of these dances rose up through the trunk of this mighty tree. The trunk was influenced, scarred and shaped by wars, religions, persecutions, the opression of women, the slave trade, the Silk road, the shifting boundaries of countries, social revolutions, fashions, the migration of the Roma (Gypsies), life and the passage of time. All of these variables converged in the trunk of our tree and majestic branches sprouted from the top. The branches are the dances one can see from each of the countries represented in the roots. But the boundaries of the tree expanded to England, the United States, Europe and now there are branches in South America, Australia, Mexico and Japan. These branches continue to blossom fraglantly.
What of the American branch of the tree? We have our dancers who are true to the traditions of the tree, old and new. They are the authentic reproducers who diligently study and articulate the dances that one can see in the lands represented in the roots of our tree. It is essential that we have such dancers who preserve these arts and carry the torch. We also have our very own branches of the tree, one of whicj is American Tribal Style Bellydance. It is neither superiour nor inferior to any of the other art forms. It is simply different. It has a right to be here and it is here to stay. And if there are those who do not like it, they simply do not have to look..."
Elizabeth Artemis Mourat
Thank you Kajira Djoumahna for a wonderful book!!!!!Looking forward to your eastern workshop-- Khaalida!!! Very excited to meet you and taking more classes from Artemis Mourat.

This is an inspiring soul seeking book. This book is about the author's journey into the sacred feminine and the secret truths she discovered about women's spirituality on the way.
Here are some powerful quotes that have been very powerful to me.
"When the ideal becomes a reality, it is the Veiled One inside your heart. It is not possible to reach the Veiled One unless one comes into a deeply recetive condition, attuning far beyond the created worlds. p113"
Addition to ceremonial attire, Priestesses used "tattooing and henna patterns on the skin transformed the devotee's body into the bearer of sacred information" p104
Rejecting a tattoo or any adornment of a person is rejecting that persons soul and spirit.
"I learned that in Indian dance, the basic motivation is worship..."p44
"Dance by its very nature is ecstatic. Almost every dancer who has written about dance makes reference to ecstasy...""
Isabel Fonseca describes the four years she spent with Gypsies from Albania to Poland, listening to their stories, deciphering their taboos, and befriending their matriarchs, activists, and child prostitutes. A masterful work of personal reportage, this volume is also a vibrant portrait of a mysterious people and an essential document of a disappearing culture. 50 photos.
Gypsies, the long-lost children of India, number about 12 million worldwide. In Europe, the 8 million Gypsies constitute its largest minority. Recent films like Tony Gatlif's Latcho Drom: A Musical History of the Gypsies from India to Spain (1994) and books like Isabel Fonseca's Bury Me Standing: The Gypsies and their Journey (1996) will help ensure that the Gypsies do not again disappear -- outside the world's consciousness.
Bury Me Standing -- the title comes from the Gypsy saying, "Bury me standing, I've been on my knees all my life"-- is a compassionate book about a marginalized and much-maligned people. Nonetheless, over the past seven centuries, the Gypsies have made many contributions to European folk music, dance, and lore. An outstanding example of these contribitions --Flameno-- highlights the Cannes award-winning Latcho Drom .
When Isabel Fonseca, an American journalist and former assistant editor of the Times Literary Supplement, set out to write this book in 1991, she "had in mind that the Gypsies were 'the New Jews of Eastern Europe.'" After four years of field work that included living with Gypsy families in many European countries and researching library documents, she concluded that the Gypsies "alongside with the Jews are ancient scapegoats."
Traditionally, Gypsies never kept any written records nor sustained an oral history. The research on their origin began with a systematic philological analysis of their language, Romani, which has been firmly established as a Sanskritic language. Words like dand, (tooth), mun, (mouth), lon, (salt), akha (eyes), khel (play) are identical with those in Punjabi spoken in northwest India. Fonseca does not comment on the obvious resemblance with Punjabi, presumably because of her unfamiliarity with it or any other modern Indian language. She is also puzzled by the Gypsy habit of shaking head side-to-side to signify yes. This distinctive gesture alone suffices to pinpoint their India origin -- rendering all linguistic evidence redundant! If confirmation were needed, it would be readily provided by the Gypsy music's use of the Indian ragas such as Bairavi, Mulkausa, and Kalyani as well as the bol (the rhythmic syllables -- tak, dhin, dha -- imitating drum beats).
Fonseca seems to think that the current scholarly consensus is that the Gypsies are from the Dom group of tribes, still extant in India, making their living as wandering musicians, smiths, metalworkers, scavengers, and basketmakers. They migrated first from northwest India to Persia in 950 A.D. at the invitation of Shah Behram Gur. As recorded by the contemporary Persian historian Hamza, the Shah "out of solicitude for his subjects, imported 12,000 musicians for their listening pleasure."
Fonseca errs in stating that the Gypsy designation for themsleves as Roma is derived from Dom, one of the outcaste tirbes in India. Roma is a variation of "ramante," a Punjabi word meaning moving, wandering. This etymology is cogently discussed in W.R. Rishi's book "ROMA: The Panjabi Emigrants in Europe, second edition" published in 1996 by Punjabi University, Patiala, Punjab, India. Rishi traces the origin of the Roma to the 500, 000 prisoners of war taken by Muhamad Ghaznvi in 1001 from the Punjab to Afghanistan and subjected to Islamic conversion by the sword. Many of them resisted by escaping westward to the Christian lands of Armenia and Greece. To this day, the Roma use the word Gajo, derived from Ghazi-- the Koranic title of infidel-killing Muslims-- as a disparaging term. The Roma are from the warrior castes of the Punjab.
The Roma appeared in Europe first in 1300 A.D., fleeing from forcible Islamic conversions by the Turks. In Europe, ironically, they were accused of being advance spies for the Turks, and persecuted again. They were also mistaken as Egyptians, whence the folklore origin of the term Gypsy. Fonseca apparently is unaware of yet another etymology: Punjab-say -- from Punjab, which was what the earliest immigrants to Persia replied when asked where they have come from. By the time, they reached Byzantium, the locals heard Punjab-say as Jabsay, Gypsy. The locals took Gypsy to mean from Egypt, a country they had heard of.
The history of the Roma in Europe, gleaned, for the most part, from court- and church-records and from rare academic publications, is a horror--Europe's heart of darkness. One of the examples Fonseca cites is the 1783 dissertation published by Heinrich Grellman of Gottingen University. In his book, Grellman describes an event of the previous year in Hont county, Hungary: "The case involved more than 150 Gypsies, forty-one of whom were tortured into confessions of cannibalism. Fifteen men were hanged, six broken on the wheel, two quartered, and eighteen women beheaded -- before an investigation ordered by the Hapsburg monarch Joseph II revealed that all of the supposed victims were still alive."
During World War II, the Nazis exterminated 1.5 million Gypsies. At the Nuremberg trials, the Nazis' lawyers argued that the killing of the Gypsies was justified since they had been punished as criminals, not as a race. There was no one to speak for the Gypsies, and the international tribunal accepted this as exonerating defense! Ah, humanity.
Although tyrants, bigots, and the misinformed have often stereotyped the Gypsies as congenital criminals, sociological studies show that the Gypsies commit crimes no more than others. A large-scale study cited by Fonseca: In Romania, which has the largest Gypsy population of any country, out of all criminal convictions that of the Gypsies total 11 percent. Their population in the country? Exactly 11 percent. (The Gypsies in Romania do not have equal access to the justice system. Their situation is worse than that of the Blacks and Hispanics in the U.S.A.)
In recent decades, a Gypsy intelligentsia has begun to emerge. Fonseca presents detailed profiles of several. Dr. Ian Hancock, an American Gypsy, and the author of The Pariah Syndrome, was instrumental in bringing about, in April 1994, the first-ever Congressional hearing in Washington, D.C., on the human-rights abuses of the Gypsies. After prolonged efforts, Hancock also succeeded in the Gypsy inclusion in the United States Holocaust Memorial Museum. Gypsy inclusion had long been opposed by Elie Wiesel, the Nobel Peace Prize winner! It was only after Wiesel's resignation, writes Fonseca, herself an American Jew, that one Gypsy was allowed onto the museum's 65-member council. (The council comprised more than thirty Jews as well as Poles, Ukranians, and Russians among others but not a single Gypsy.)
Saip Jusuf is the author of one of the first Romani grammars and a principal leader in Skopje, Macedonia, which has the largest Gypsy settlement anywhere. Jusuf helped organize the first world Romany Congress in 1971 in London. The conference was financed in part by the Government of India, and at its urging the U.N. agreed first to recognize the Rom as a distinct ethnic group and several years later accorded voting rights to the International Romani Union.
In an interview with the author, Jusuf, having converted from Islam to his ancestral Hinduism, joyously displayed his new icon collection of Ganesha, Parvati, and Durga . Ramche Mustupha, a poet, showed his passport. Under "citizenship" it recorded Yugoslav; under "nationality," Hindu. The lost children of India, having found their ancestral land, are very proud of its ancient civilization -- the oldest continuous civilization in the world -- "Amaro Baro Thanh" (Romani for "our big land"). Fonseca observes: "Many of the young women, fed up with the baggy-bottomed Turkish trousers they were supposed to wear, have begun to wear saris."
Unlike other beleaguered and marginalized minorities, the Rom are not seeking a homeland of their own, a Romanistan, in or outside India. The Rom are resisting, as they always have, to maintain the freedom for a life-style of their choosing. "To allow this to the Gypsies," Vaclav Havel, in Prague, said, "is the litmus test of a civil society." However, Havel's is a lonely voice. All over Central and East Europe "Death to the Gypsies" graffiti can be observed. Since the Velvet Revolution in Czechoslavakia, twenty-eight Gypsies have been murdered.
Fonseca cites several specific cases of terrorism against the Gypsies during the 90's. "In February 1995, in Oberwart, Austria, a town seventy-five miles south of Vienna, four Gypsy men were murdered. A pipe bomb had been concealed behind a sign that said, in Gothic tombstone lettering, 'Gypsies go back to India'; the bomb exploded in their faces when they tried to take it down. The first response of the Austrian police was to search the victims' own settlement for weapons; 'Gypsies killed by own bomb,' the papers reported." Oberwart, Austria, is in Burgenland, where the Gypsies have been settled for three centuries.
The resurging repression of the Gypsies is Europe's continuing crime against humanity. At the Nazi trials in Nuremberg, there was no one to speak on behalf of the Gypsies. Now, the Gypsies have at least this eloquent book exposing Europe's recrudescing genocidal threats to them.
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